Katie Paine is a Naarm/ Melbourne-based artist and writer whose practice investigates systems of meaning-making, specifically, the role images and language play in constructing narrative. She investigates the acts of speaking, reading and writing: these tools are often used to successfully communicate knowledge but in her work she explores the ways that they can be fallible, porous and mutable. Within her work Paine uses text, drawing, video, assemblage and installation to explore our collective conceptualisation of time and the way systems of meaning-making are culpable of perpetuating fraught narratives, particularly in relation to our understanding of history. In her research, Paine looks at the fallacies of bureaucratic institutions: the way in which they are hostile to living bodies and also the limits of the archive’s capacity to communicate lived experience of an event.
Paine has exhibited at c3 Contemporary Art Space, Channels Festival, Blindside ARI and George Paton Gallery: her work will be included in an upcoming exhibition at La Trobe Art Institute. Using writing as a mode of artistic practice alongside criticism, Paine has written for institutions such as Next Wave, Bus Projects, Nicholas Projects, Un Projects, Art Almanac and Art and Australia.
Katie is the co-founder of *dumb brun(ette), in collaboration with artist Diego Ramriez. *dumb brun(ette) is a discursive online platform dedicated to generating discussion around artistic research. Its main output is a series of interviews, fictions, essays and reviews which seek to make visible the paths that practitioners undertake as they navigate the contemporary art world. They document the relationship between: artists and their work; the history of ideas; exhibition spaces; and lived experience.
You can find contact her at firstname.lastname@example.org, or find her on Instagram, documenting her ongoing practice as @dreamsofspeaking.
Katie would like to acknowledge that the land that she works on is unceded, and acknowledges the traditional owners and custodians of the land on which she works, the Wurundjeri people of the Kulin Nation.
2011-2013: RMIT University- Bachelor of Fine Art. (With Distinction)
March 2018: Published *dumb brun(ette) Vol 1 with Bus Projects At Melbourne Art Book Fair, NGV
June 2016: Writers in Residence Program, Next Wave Festival
March 2019: At the End of a Passage from Which No Exit is Possible, with Henry Law at Kings ARI
July 2018: something that, perhaps, sits outside of speech, Irene Rose Gallery
May 2017: Chronophobia, c3 Contemporary Art Space
September 2016: Future Devonian Archive, Rubicon ARI
March 2016: The Man Who Never Threw Anything Away, George Paton Gallery
Group/ Curated Exhibitions:
November 2018: Seventh Gallery Annual Fundraiser
July 2018: The Grammar of The Glitch, Latrobe Art Institute. Curated by Kent Wilson
November 2017: B-side Blindside Fundraiser- exhibiting beside Diego Ramirez
November 2017: c3+ Contemporary Art Space Fundraiser
October 2017: [Message Read] Blindside ARI [Group exhibition with Nick Modzrewski and Nabilah Nordin]
September 2017: Documents of the Future, Channels Festival, ACMI- Curated by Anita Spooner
May 2017, An Act of Showing, Testing Grounds, Curated by Anabelle Lacroix.
February 2017: Summer 40, Rubicon ARI [Exhibiting Artist]
October 2016: From the Archive, George Paton Gallery curated by Stephanie Berlangieri and Hanann Al Daqqa
October 2016: An Excavation, c3 Contemporary Art Space,
May 2016: Paradise Lost, Paradise Hills
August 2018: No Safe Place to Rest Your Eyes, c3 Contemporary Art Space
June 2018: A Joke Without Laughter, c3 Contemporary Art Space
March 2017: Inherent Vice, Nicholas Projects [Curator]
2016-Present: Gallery Manager, c3 Contemporary Art Space
2016-2017: Program Coordinator- CRITICAL , RMIT Link Arts and Culture *An arts writing mentorship program
Keynote presentations/ panel discussions for RMIT University, Midsumma Festival, LaTrobe Art Institute, La Trobe University, c3 Contemporary Art Space and Seventh Gallery